<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-7QKQMLTU</identifier><date>2018</date><creator>Hrvatin, Klara</creator><relation>documents/doc/7/URN_NBN_SI_doc-7QKQMLTU_001.pdf</relation><relation>documents/doc/7/URN_NBN_SI_doc-7QKQMLTU_001.txt</relation><format format_type="volume">6 (22)</format><format format_type="type">article</format><format format_type="issue">issue 1</format><format format_type="extent">str. 119-136</format><identifier identifier_type="ISSN">2232-5131</identifier><identifier identifier_type="COBISSID_HOST">66210402</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-7QKQMLTU</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Asian studies</source><rights>BY-SA</rights><subject language_type_id="slv">Ichiyanagi, Toshi</subject><subject language_type_id="slv">MoMA post</subject><subject language_type_id="eng">places and spaces</subject><subject language_type_id="slv">prostorje</subject><subject language_type_id="eng">the Sôgetsu art movement</subject><subject language_type_id="slv">umetniški center Univerze Keio</subject><subject language_type_id="slv">umetniški gibanje Sôgetsu</subject><subject language_type_id="eng">University Keio art center</subject><title>Prostorje kot kulturni proizvod</title><title>refleksija na današnje prostorje japonskega avantgardnega gibanja v šestdesetih letih dvajsetega stoletja</title></Record>