<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-7O72ZN13</identifier><date>2021</date><creator>Božič, Dana</creator><relation>documents/doc/7/URN_NBN_SI_doc-7O72ZN13_001.pdf</relation><relation>documents/doc/7/URN_NBN_SI_doc-7O72ZN13_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">54</format><format format_type="type">article</format><format format_type="extent">str. 179-196</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="DOI">10.4312/an.54.1-2.179-196</identifier><identifier identifier_type="COBISSID_HOST">89871619</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-7O72ZN13</identifier><language>ita</language><publisher publisher_location="Ljubljana">Znanstvena založba Filozofske fakultete</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="slv">avantgarde</subject><subject language_type_id="slv">množično občinstvo</subject><subject language_type_id="slv">novecentizem</subject><subject language_type_id="slv">predgovor</subject><subject language_type_id="slv">Stendhal</subject><title>Massimo Bontempelli (1878-1960) lettore di Stendhal e il pubblico della societa di massa alle soglie della Terza epoca</title></Record>