<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-6ZZ9C5AA</identifier><date>2014</date><creator>Šuvaković, Miško</creator><relation>documents/doc/6/URN_NBN_SI_doc-6ZZ9C5AA_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-6ZZ9C5AA_001.txt</relation><format format_type="issue">2</format><format format_type="volume">35</format><format format_type="type">article</format><format format_type="extent">str. 103-120, 331-332</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">37943597</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-6ZZ9C5AA</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="eng">modernism</subject><subject language_type_id="slv">modernizem</subject><subject language_type_id="slv">neoavantgarda</subject><subject language_type_id="eng">neoavant-garde</subject><subject language_type_id="eng">painting</subject><subject language_type_id="eng">philosophy of art</subject><subject language_type_id="slv">slikarstvo</subject><title>Theories of modernism. Politics of time and space</title></Record>