<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-65VDPAHO</identifier><date>2024</date><creator>Čerče, Danica</creator><relation>documents/doc/6/URN_NBN_SI_doc-65VDPAHO_001.pdf</relation><relation>documents/doc/6/URN_NBN_SI_doc-65VDPAHO_001.txt</relation><format format_type="issue">2</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 29-44</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="DOI">10.4312/an.57.2.29-44</identifier><identifier identifier_type="COBISSID_HOST">220965123</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-65VDPAHO</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="eng">art and propaganda</subject><subject language_type_id="slv">odmevnost romana</subject><subject language_type_id="slv">odporniško gibanje</subject><subject language_type_id="eng">public and critical response</subject><subject language_type_id="eng">resistance movement</subject><subject language_type_id="slv">Steinbeck, John</subject><subject language_type_id="slv">umetnost in propaganda</subject><title>"People don’t like to be conquered, and so they will not be"</title><title>the enduring appeal of The moon is down</title></Record>