<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-5M7NV0OR</identifier><date>2018</date><creator>Kiš Žuvela, Sanja</creator><relation>documents/doc/5/URN_NBN_SI_doc-5M7NV0OR_001.pdf</relation><relation>documents/doc/5/URN_NBN_SI_doc-5M7NV0OR_001.txt</relation><format format_type="issue">28</format><format format_type="type">article</format><format format_type="extent">str. 29-49</format><identifier identifier_type="ISSN">1318-6876</identifier><identifier identifier_type="COBISSID">2763143</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-5M7NV0OR</identifier><language>eng</language><publisher publisher_location="Ljubljana">Akademija za glasbo, Oddelek za glasbeno pedagogiko</publisher><source>Glasbenopedagoški zbornik (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">intonančni zlogi</subject><subject language_type_id="slv">kognicija</subject><subject language_type_id="slv">poslušanje</subject><subject language_type_id="slv">solmizacija</subject><subject language_type_id="slv">višina tona</subject><title>the ambiguity of the solfege syllabary</title><title>When the fixed "DO" tends to move</title></Record>