<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-5EPFI11L</identifier><date>2021</date><creator>Komi, Katerina</creator><creator>Mini, Panayiota</creator><relation>documents/doc/5/URN_NBN_SI_doc-5EPFI11L_001.pdf</relation><relation>documents/doc/5/URN_NBN_SI_doc-5EPFI11L_001.txt</relation><format format_type="volume">14</format><format format_type="type">article</format><format format_type="issue">no 2</format><format format_type="extent">str. 105-133, 138-139, 144, 148</format><identifier identifier_type="COBISSID">130838787</identifier><identifier identifier_type="ISSN">1855-3362</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-5EPFI11L</identifier><language>eng</language><publisher publisher_location="Portorož">Center EMUNI, University Centre for Euro-Mediterranean Studies</publisher><source>International journal of Euro-Mediterranean studies</source><rights>InC</rights><subject language_type_id="slv">evropski kino</subject><subject language_type_id="slv">film</subject><subject language_type_id="slv">filmske lokacije</subject><subject language_type_id="slv">koprodukcije</subject><subject language_type_id="slv">Kreta</subject><subject language_type_id="slv">mednarodno sodelovanje</subject><title>Tangible benefits and people's bonding in international film production</title><title>the case of films shot in Crete</title></Record>