<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-4L0ZJVZA</identifier><date>2020</date><creator>Misson, Andrej</creator><relation>documents/doc/4/URN_NBN_SI_doc-4L0ZJVZA_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4L0ZJVZA_001.txt</relation><format format_type="volume">16</format><format format_type="issue">33</format><format format_type="type">article</format><format format_type="extent">str. 91-108</format><identifier identifier_type="DOI">10.26493/2712-3987.16(33)91-108</identifier><identifier identifier_type="ISSN">1318-6876</identifier><identifier identifier_type="COBISSID_HOST">61225987</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4L0ZJVZA</identifier><language>slv</language><publisher publisher_location="Ljubljana">Akademija za glasbo, Oddelek za glasbeno pedagogiko</publisher><source>Glasbenopedagoški zbornik (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="slv">glasbena analiza</subject><subject language_type_id="slv">glasbena kompozicija</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="slv">glasbena terminologija</subject><subject language_type_id="slv">kontrapunkt</subject><subject language_type_id="slv">slovenska glasba</subject><title>O glasbeni terminologiji pri pouku glasbene teorije in kompozicije</title><title>Some thoughts on musical terminology at musical theory, composition and counterpoint teaching</title></Record>