<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-4666II65</identifier><date>2022</date><creator>Veselovska, Hanna</creator><relation>documents/doc/4/URN_NBN_SI_doc-4666II65_001.pdf</relation><relation>documents/doc/4/URN_NBN_SI_doc-4666II65_001.txt</relation><format format_type="issue">1</format><format format_type="volume">10</format><format format_type="type">article</format><format format_type="extent">str. 234-249</format><identifier identifier_type="DOI">10.51937/Amfiteater-2022-1/234-249</identifier><identifier identifier_type="COBISSID_HOST">114854403</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-4666II65</identifier><language>eng</language><publisher publisher_location="Ljubljana">Slovenski gledališki inštitut</publisher><source>Amfiteater (Ljubljana)</source><rights>BY</rights><subject language_type_id="eng">confession</subject><subject language_type_id="slv">dekompozicija fabule</subject><subject language_type_id="slv">facebook</subject><subject language_type_id="slv">izpoved</subject><subject language_type_id="eng">non-communication</subject><subject language_type_id="eng">plot decomposition</subject><subject language_type_id="slv">pomanjkanje komunikacije</subject><title>The 21st-century drama and the new reality of social networks</title></Record>