<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-3ALXMHFK</identifier><date>2014</date><creator>Glycofrydi-Leontsini, Athanasia</creator><relation>documents/doc/3/URN_NBN_SI_doc-3ALXMHFK_001.pdf</relation><relation>documents/doc/3/URN_NBN_SI_doc-3ALXMHFK_001.txt</relation><format format_type="volume">23</format><format format_type="issue">88/89</format><format format_type="type">article</format><format format_type="extent">str. 199-216</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="ISSN">2232-6650</identifier><identifier identifier_type="COBISSID">513309058</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-3ALXMHFK</identifier><language>eng</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">19.st.</subject><subject language_type_id="slv">grško slikarstvo</subject><subject language_type_id="slv">orientalizem</subject><subject language_type_id="slv">percepcija</subject><title>Perceptions of the Oriental in modern Greek painting</title></Record>