{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-2NBBXPQS/c637e6af-d317-4bb6-afd3-554d7b5240d2/PDF","dcterms:extent":"269 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-2NBBXPQS/ce4c8a61-a200-45b3-a1b1-9c144128e554/TEXT","dcterms:extent":"34 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-2NBBXPQS","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2021","dc:creator":"Orel, Barbara","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 84-98"}],"dc:identifier":["DOI:10.51937/Amfiteater-2021-2/86-92","DOI:10.51937/Amfiteater-2021-2/94-100","ISSN:1855-4539","COBISSID_HOST:92717827","URN:URN:NBN:SI:doc-2NBBXPQS"],"dc:language":["en","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"},"dc:subject":[{"@xml:lang":"sl","#text":"eksperimentalno gledališče"},{"@xml:lang":"en","#text":"experimental theatre"},{"@xml:lang":"sl","#text":"gledališče Senzorium"},{"@xml:lang":"en","#text":"odour"},{"@xml:lang":"en","#text":"performing arts"},{"@xml:lang":"en","#text":"post-dramatic theatre"},{"@xml:lang":"sl","#text":"postdramsko gledališče"},{"@xml:lang":"en","#text":"sensorial theatre event"},{"@xml:lang":"en","#text":"Sensorium Theatre"},{"@xml:lang":"sl","#text":"senzorialni gledališki dogodek"},{"@xml:lang":"en","#text":"Slovenia"},{"@xml:lang":"sl","#text":"Slovenija"},{"@xml:lang":"sl","#text":"uprizoritvene umetnosti"},{"@xml:lang":"sl","#text":"vonj"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Svet vonjav v slovenskih uprizoritvenih umetnostih| The world of odour in the Slovenian performing arts|"},"dc:description":[{"@xml:lang":"sl","#text":"The article provides an overview of performances on Slovenian stages that have used odour to stimulate the audience’s senses and arouse transformational effects. Representing the first research of this kind into Slovenian culture, the author demonstrates that odour was used as a means of sensory perception, especially in experimental theatre practices since the 1970s. One of the first such works was Cimetova vrata ladje norcev in druge spremembe (The Cinnamon Door of the Ship of Fools and Other Changes), a performance art piece directed by Tomaž Kralj at Glej Theatre in 1975. In the 1990s, the interest in olfactory perceptions grew among theatre-makers who successfully used odour to implement the aesthetics of the real in post-dramatic theatre and achieve the immersion of the spectator. This role of odour in theatre also continues in the 21st century. Barbara Pia Jenič began deliberately and continuously developing the poetics of scent at the Sensorium Theatre, which she founded in 2001 with Gabriel Hernandez. In her creation of sensorial events, Jenič relies on the methodologies of Enrique Vargas, with which she became acquainted as an actress and scent designer in his group Teatro de los Sentidos and creatively developed them at the Sensorium Theatre. As a scent designer, Jenič has collaborated with other Slovenian theatres, among others, on the 2015 operatorium, The Tenth Daughter (Deseta hči) by Svetlana Makarovič (based on the libretto by Milko Lazar, directed by Rocco) at the Slovenian National Theatre – Opera and Ballet Ljubljana"},{"@xml:lang":"sl","#text":"Članek podaja pregled uprizoritev na slovenskih odrih, v katerih so bile uporabljene vonjave kot sredstvo za stimuliranje gledalčevih čutil in vzbujanje transformacijskih učinkov. S tega vidika gledališka kultura na Slovenskem še ni bila raziskana. Avtorica pokaže, da so bile vonjave sredstvo za senzorične zaznave predvsem v eksperimentalnih gledaliških praksah že od sedemdesetih let 20. stoletja (kot enega prvih primerov izpostavi uprizoritev v režiji Tomaža Kralja Cimetova vrata ladje norcev in druge spremembe v Eksperimentalnem gledališču Glej leta 1975). Zanimanje za olfaktorne raziskave se je med gledališčniki okrepilo v devetdesetih letih 20. stoletja. Vonj je bil uporabljen kot element za uresničevanje estetike realnega v postdramskem gledališču in za vzbujanje potopitvenega učinka pri gledalcih. To vlogo imajo vonjave tudi v gledališču 21. stoletja. Poetiko vonjev je začela načrtno in kontinuirano razvijati Barbara Pia Jenič v gledališču Senzorium, ki ga je leta 2001 ustanovila skupaj z Gabrielom Hernándezom. Pri ustvarjanju senzorialnih dogodkov še danes izhaja iz metodologije Enriqueja Vargasa, s katero se je kot igralka in oblikovalka vonjev seznanila v njegovi skupini Theatro de los Sentidos, v gledališču Senzorium pa jo je avtorsko nadgrajevala. Kot oblikovalka vonjev je sodelovala tudi z drugimi slovenskimi gledališči, med drugim pri operatoriju Milka Lazarja Deseta hči (po libretu Svetlane Makarovič in v režiji Rocca) v Slovenskem narodnem gledališču Opera in balet Ljubljana leta 2015"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-2NBBXPQS","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-2NBBXPQS"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-2NBBXPQS/c637e6af-d317-4bb6-afd3-554d7b5240d2/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-2NBBXPQS/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-2NBBXPQS"}}}}