<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-29NLAS7K</identifier><date>2014</date><creator>Segal, Naomi</creator><relation>documents/doc/2/URN_NBN_SI_doc-29NLAS7K_001.pdf</relation><relation>documents/doc/2/URN_NBN_SI_doc-29NLAS7K_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">47</format><format format_type="type">article</format><format format_type="extent">str. 31-39, 121</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="COBISSID">56261218</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-29NLAS7K</identifier><language>eng</language><publisher publisher_location="Ljubljana">Znanstvena založba Filozofske fakultete</publisher><source>Acta neophilologica</source><rights>InC</rights><subject language_type_id="eng">adultery</subject><subject language_type_id="eng">film</subject><subject language_type_id="slv">književnost</subject><subject language_type_id="slv">literarne študije</subject><subject language_type_id="eng">literature</subject><subject language_type_id="eng">Oedipal principle</subject><subject language_type_id="slv">Ojdipov kompleks</subject><subject language_type_id="slv">prešuštvo</subject><subject language_type_id="slv">triangulacija</subject><subject language_type_id="eng">triangulation</subject><title>Daughters, death and desire in Fatal attraction, The piano and Talented Mr Ripley</title></Record>