{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-27LS51D2/da6009ed-b20e-4e2b-bab7-3694a62d5aa6/IMAGE","dcterms:extent":"109 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-27LS51D2/f635bbbb-bbbf-49d5-8e8b-8757b02e446a/PDF","dcterms:extent":"5786 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:DOC-27LS51D2/a087047a-7124-4d9d-af33-9793626553f3/TEXT","dcterms:extent":"79 KB"}],"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:DOC-27LS51D2","dcterms:issued":"2024","dc:creator":"Tafeche, Noura","dc:format":{"@xml:lang":"sl","#text":"1 spletni vir (1 datoteka PDF (37 str.))"},"dc:identifier":["COBISSID:204425219","ISBN:978-961-7173-56-7","URN:URN:NBN:SI:doc-27LS51D2"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Aksioma - Institute for Contemporary Art"},"dc:source":{"@xml:lang":"sl","#text":"knjige"},"dc:subject":[{"@xml:lang":"sl","#text":"Estetika"},{"@xml:lang":"sl","#text":"Kulturni vidik"},{"@xml:lang":"sl","#text":"Nasilje"}],"dc:title":{"@xml:lang":"sl","#text":"The Kawayoku tales| aestheticisation of violence in military, gaming, social media cultures and other stories|"},"dc:description":{"@xml:lang":"sl","#text":"Kawayoku, a hybrid research area, explores the intersections of cuteness culture, digital warfare and the aestheticisation of violence in an era of semiotic ambiguity and post-truth. From the fetishisationof Weapons Grade Waifus and anthropomorphic warships in games like Azur Lane to the “Israeli” Defense Forces’ TikTok strategies, the essay reveals how cuteness and entertainment serve as tools of domestication, converging state-nationalism with the impish, and the uniform with the algorithm"},"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"knjige"},{"@xml:lang":"en","#text":"books"},{"@rdf:resource":"http://www.wikidata.org/entity/Q571"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:DOC-27LS51D2","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:DOC-27LS51D2"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:DOC-27LS51D2/f635bbbb-bbbf-49d5-8e8b-8757b02e446a/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-nc-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:dataProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:DOC-27LS51D2/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:DOC-27LS51D2"}}}}