<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-22EZ9NQ0</identifier><date>2016</date><creator>Zavrl, Nace</creator><relation>documents/doc/2/URN_NBN_SI_doc-22EZ9NQ0_001.pdf</relation><relation>documents/doc/2/URN_NBN_SI_doc-22EZ9NQ0_001.txt</relation><format format_type="type">article</format><format format_type="issue">letn. 53</format><format format_type="extent">str. 33-37</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID">4099419</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-22EZ9NQ0</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">avtorske pravice</subject><subject language_type_id="slv">digitalno piratstvo</subject><subject language_type_id="slv">film</subject><subject language_type_id="slv">intelektualna lastnina</subject><subject language_type_id="slv">spletne strani</subject><title>Kratka zgodovina ilegalne distribucije ali zakaj je vsak kurator hkrati že pirat</title></Record>