<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-1LL4TVGV</identifier><date>2017</date><creator>Čvoro, Uroš</creator><relation>documents/doc/1/URN_NBN_SI_doc-1LL4TVGV_001.pdf</relation><relation>documents/doc/1/URN_NBN_SI_doc-1LL4TVGV_001.txt</relation><format format_type="volume">33</format><format format_type="issue">85</format><format format_type="type">article</format><format format_type="extent">str. 35-49</format><identifier identifier_type="ISSN">0352-3608</identifier><identifier identifier_type="COBISSID_HOST">35127645</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-1LL4TVGV</identifier><language>eng</language><publisher>Fakulteta za družbene vede</publisher><publisher>Slovensko sociološko društvo</publisher><source>Družboslovne razprave</source><rights>InC</rights><subject language_type_id="slv">Abramović, Marina</subject><subject language_type_id="eng">art</subject><subject language_type_id="eng">Arts</subject><subject language_type_id="slv">Miljanović, Mladen</subject><subject language_type_id="slv">Nacionalizem</subject><subject language_type_id="eng">Nationalism</subject><subject language_type_id="eng">Postsocialism</subject><subject language_type_id="slv">Postsocializem</subject><subject language_type_id="eng">Transition</subject><subject language_type_id="slv">Tranzicija</subject><subject language_type_id="slv">Umetnost</subject><title>Halfway tradition</title><title>transition, nation, sex, and death in the work of Marina Abramović and Mladen Miljanović</title></Record>