<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-17GOTDPA</identifier><date>2012</date><creator>Ogawa, Tadashi</creator><relation>documents/doc/1/URN_NBN_SI_doc-17GOTDPA_001.pdf</relation><relation>documents/doc/1/URN_NBN_SI_doc-17GOTDPA_001.txt</relation><format format_type="volume">21</format><format format_type="issue">80/81</format><format format_type="type">article</format><format format_type="extent">str. 5-22</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID">513092994</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-17GOTDPA</identifier><language>slv</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Bashô, Matsuo, 1644-1694</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">haiku</subject><subject language_type_id="slv">japonska poezija</subject><subject language_type_id="slv">literarna teorija</subject><subject language_type_id="eng">literary theory</subject><subject language_type_id="slv">pesniške oblike</subject><subject language_type_id="slv">renga</subject><title>Basho je mojster renge in ne haikuja</title><title>Transsubjektivno ustvarjanje poetičnega ozračja</title></Record>