<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:DOC-11HLOXNL</identifier><date>2022</date><creator>Bašin, Igor</creator><relation>documents/doc/1/URN_NBN_SI_doc-11HLOXNL_001.pdf</relation><relation>documents/doc/1/URN_NBN_SI_doc-11HLOXNL_001.txt</relation><format format_type="volume">59</format><format format_type="type">article</format><format format_type="issue">mar./apr.</format><format format_type="extent">str. 93-96</format><identifier identifier_type="ISSN">0013-3302</identifier><identifier identifier_type="COBISSID_HOST">108052227</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-11HLOXNL</identifier><language>slv</language><publisher publisher_location="Ljubljana">Slovenska kinoteka</publisher><source>Ekran (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">amerikanizacija</subject><subject language_type_id="slv">filmska produkcija</subject><subject language_type_id="slv">filmske študije</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">Jugoslavija</subject><subject language_type_id="slv">mehiška glasba</subject><subject language_type_id="slv">množična kultura</subject><subject language_type_id="slv">popularnost</subject><subject language_type_id="slv">rokenrol</subject><subject language_type_id="slv">zvrst glasbe</subject><title>Ko so filmi zavrteli muziko</title></Record>