<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-0ENVCLQO/0cc14efc-1b18-4bbe-965a-25a35dd03b09/PDF"><dcterms:extent>499 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:DOC-0ENVCLQO/15b34f29-cf0a-4e34-9096-9029b37375ee/TEXT"><dcterms:extent>62 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1984-2024"><edm:begin xml:lang="en">1984</edm:begin><edm:end xml:lang="en">2024</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:DOC-0ENVCLQO"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-LRR6C6LY" /><dcterms:issued>2013</dcterms:issued><dc:creator>Sitar, Polona</dc:creator><dc:format xml:lang="sl">letnik:29</dc:format><dc:format xml:lang="sl">številka:74</dc:format><dc:format xml:lang="sl">str. 25-44</dc:format><dc:identifier>ISSN:0352-3608</dc:identifier><dc:identifier>COBISSID:32388957</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-0ENVCLQO</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Fakulteta za družbene vede</dc:publisher><dc:publisher xml:lang="sl">Slovensko sociološko društvo</dc:publisher><dcterms:isPartOf xml:lang="sl">Družboslovne razprave</dcterms:isPartOf><dc:subject xml:lang="sl">Analiza diskurza</dc:subject><dc:subject xml:lang="sl">družbeni položaj</dc:subject><dc:subject xml:lang="sl">Družbeni vidik</dc:subject><dc:subject xml:lang="sl">Ljubezen na seniku (telvizijska oddaja)</dc:subject><dc:subject xml:lang="en">reality television programs</dc:subject><dc:subject xml:lang="sl">resničnostne televizijske oddaje</dc:subject><dc:subject xml:lang="sl">Resničnostni šov</dc:subject><dc:subject xml:lang="en">social status</dc:subject><dc:subject xml:lang="en">woman</dc:subject><dc:subject xml:lang="en">women</dc:subject><dc:subject xml:lang="sl">ženske</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q467" /><dcterms:temporal rdf:resource="1984-2024" /><dc:title xml:lang="sl">Analiza diskurza o spolu in razredu na primeru resničnostnega šova Ljubezen na seniku|</dc:title><dc:description xml:lang="sl">This article is based on an analysis of the romantic reality show Love in the hayloft. Although it seems as if classical myths of romantic love carry the central meaning, the author's primary focus is on understanding what kind of discourses the show uses to depict gender and class. Based on this, the author tries to offer an explanation of how the reality show Love in the hayloft constructs the identity of women from a lower social class. Such discourses are important because the stories that can be seen in the reality show are no longer just a part of the private domain, but have become a part of the discourse forming decisions about public policy and democratic civil society. The causes of the show's high ratings lie in the Slovenian social climate, which during the broadcasting of the show was strongly under the influence of the ideological rise of a conservative and traditional right-wing political party</dc:description><dc:description xml:lang="sl">Pričujoči članek temelji na analizi romantičnega resničnostnega šova Ljubezen na seniku. Čeprav se zdijo klasični miti o romantični ljubezni osrednjega pomena, avtorica podari prednost razumevanju tega, s kakšnimi diskurzi šov uprizarja spol in razred, na podlagi česar poskuša razumeti, s kakšnimi diskurzi se v šovu Ljubezen na seniku konstruira identiteta ženske spodnjega družbenega razreda. Takšni diskurzi so pomembni, ker zgodbe, ki jih lahko gledalci spremljajo v okviru resničnostnega šova, niso več samo del zasebne domene, ampak postanejo del diskurza, ki oblikuje odločitve o javni politiki in demokratični civilni družbi. Avtorica išče vzroke za visoko gledanost šova tudi v takratni slovenski družbeni klimi, na katero je imel velik vpliv ideološki vzpon tradicionalne in konservativne desnice</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:DOC-0ENVCLQO"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:DOC-0ENVCLQO" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:DOC-0ENVCLQO/0cc14efc-1b18-4bbe-965a-25a35dd03b09/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko sociološko društvo</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:DOC-0ENVCLQO/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:DOC-0ENVCLQO" /></ore:Aggregation></rdf:RDF>