<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:COL-WI8CJPKQ</identifier><date>2023</date><creator>Burcar, Lilijana</creator><relation>documents/col/W/URN_NBN_SI_col-WI8CJPKQ_001.pdf</relation><relation>documents/col/W/URN_NBN_SI_col-WI8CJPKQ_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">56</format><format format_type="type">article</format><format format_type="extent">str. 91-106</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="DOI">10.4312/an.56.1-2.91-106</identifier><identifier identifier_type="COBISSID">177860355</identifier><identifier identifier_type="URN">URN:NBN:SI:col-WI8CJPKQ</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="slv">ameriška književnost</subject><subject language_type_id="slv">kapitalizem</subject><subject language_type_id="slv">literarne študije</subject><subject language_type_id="slv">McKay, Claude</subject><subject language_type_id="slv">rasizem</subject><subject language_type_id="slv">razredni boj</subject><subject language_type_id="slv">sonet</subject><title>Old aesthetics, new ethics</title><title>Claude McKay’s socially engaged (proletarian) sonnets</title></Record>