<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:COL-TPC1GW1P</identifier><date>2024</date><creator>Jakoša, Nina</creator><relation>documents/col/T/URN_NBN_SI_col-TPC1GW1P_001.pdf</relation><relation>documents/col/T/URN_NBN_SI_col-TPC1GW1P_001.txt</relation><format format_type="issue">1</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 21-29</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="DOI">10.4312/an.57.1.21-29</identifier><identifier identifier_type="COBISSID_HOST">197109251</identifier><identifier identifier_type="URN">URN:NBN:SI:col-TPC1GW1P</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="slv">barvna simbolika</subject><subject language_type_id="eng">colour symbolism</subject><subject language_type_id="eng">corpus stylistics</subject><subject language_type_id="eng">Gothic novel</subject><subject language_type_id="slv">gotski roman</subject><subject language_type_id="slv">korpusna stilistika</subject><subject language_type_id="slv">Stoker, Bram</subject><title>The significance of colours in Bram Stoker’s Dracula</title></Record>